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Curator Text: Drawing machine 13.net The idea of initiating a creative process and then leaving it creating art on it's own has been central for many artists. Somewhere around 1911- 12 Raymound Rousell described some remarkable machines in his Impressions d'Afrique. One of them was a painting machine that would replace the artist. His ideas inspired the dadaists, like f ex Marcel Duchamp and Picabia. Rousell never built a machine himself but later on Jean Tinguely would realize it. This piece takes off from Watz earlier works Drawing Machine 1-12. A software is programmed to create images. Parts of it will be predestined while it is programmed. Other parts of the process will be random. The spectator can take part in the process by interacting via a web site, see drawingmachine.splintermind.com . This addition is not only a way for the artist to give away the creation process to an external source it also depicts the relation between the art, the context and the spectator. By changing certain options the conditions alters and the process takes a new direction. Just like how the interpretation of a piece of art changes regarding to changes in the context and regarding who the spectator is. This situation can also be applied on science, f ex the sub atomic physics, where the scientist always affects on the process s/he wants to observe. |
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Copyright 2003, Marius Watz - see also www.unlekker.net |
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